Re-Ups 4: All Hallows Edition

Can't Stop, Won't Stop, with these endless ADrive re-ups. On the other hand, full of rigor mortis just like a tortoise, might be the better reference in terms of recent pacing around here, but I digress. The All Hallows season is upon us, and nows the perfect time for Nate Ashley's incredible Written in Blood horror music series, so I'd be doing us all a disservice not to mention that Nate's uploading newly upgraded 320 versions of his monstrous collection over at his brand new blog. Hold it now, hit it! 

V/A- Written in Blood *320 upgrades added all week @ Nate Ashley’s new blog

The Orlons- Not Me (1963)

 

Lao Damnoen Sai ลาวดำเนินทราย (Anonymous Thai Ensemble, Year Unknown)

THE PEACE!!- Black Power

Munir Bachir - Luth Solo "Oud" Recital A Geneve(Club du Disque Arabe 72505)

Baligh Hamdi- Le Monde Musical de Baligh Hamdi بليغحمدي

 

David Welsh- Blue Lightning Accent (1980)

Jimi Paulix (David Welsh)-Live at the House Compound (2010)

 The Residents- Diskomo / Goosebump [with Snakefinger] (1979)

Özel- Dance Into Your Sultan's Heart (El-Ay, 197?)

Dando Shaft- S/T (1971)

J.A. Caesar- Den'en Ni Shisu, Junreika & Jasumon

Warda- Esmaouni (1974)

Maria Dolores Pradera- Exitos de Maria Dolores Pradera

(V/A) Ibi Na Bo: 60 Africa 70 (Domino Sound 023 *Cassette)

Iyer-Subramanium-Iyer (Oriental Records 2xLP *1983, BGRP1027. 1028)

Aidan Coughlan- Observe The Sky/ Rhiannon

V/A- Persian Underground: Garage Rock, Beat and PsychedelicSounds from The Iranian 60's & 70's Scene (Persianna, 2010)

Omar Khorshid- Rhythms from the Orient

The F*****n' Flyin' A-Heads: Swiss Cheese Back/ Watching T.V.(1980)

V/A- Yellow Pills: Prefill (Numero 004)

Waza: Blue Nile- Sudan (Wergo)

Wire- 1976 Demo

Özkartal, Hüsnü Orkestrasi- Çağdaş Oyun Havaları

David Hykes - The Harmonic Choir : Hearing Solar Winds (1983 - Ocora 558 607)

'The Harmonic Choir was formed by David Hykes in 1975. An accomplished experimental filmmaker witha deep interest in traditional and sacred music, Hykes had already acquired broad familiarity with the music of West and Central Asia when he first heard the Hoomi singing (literally "throat singing") indigenous to western Mongolia, and the overtone chanting of Tantric Tibetan Buddhism. 

In the Hoomi tradition, singers produce fundamental tone in the bass or baritone range, and then by extremely precise modulation of the of the abdominal muscles, chest, and vocal apparatus - larynx, tongue, jaws, cheeks, and lips - project simultaneously a higher tone or tones, related in frequency to the fundamental tone by whole number ratios. These higher frequencies are called "overtones" or "harmonics". In producing harmonics, the voice acts like a kind of sonic prism, "refracting" sound along a frequency spectrum which extends upward from the fundamental tone.

...For David Hykes, the significance of the harmonic series as both a source and an aesthetic standard for musical composition lies in its organic lawfulness and proportion. His work begins at the point where a singer can articulate at will various harmonics in the series. From there, it moves towards a living research into the unexplored realms of sound made accessible by harmonic singing, where acoustical order can become truly iconic to what is at once a more universal world of number.

In many cultures, it has traditionally been the role of music to express a sense of the order of the universe - an order which man can aspire to understand and to look for in himself. As a "traditional" music of present-day culture, perhaps the singing of the Harmonic Choir can fulfill the same pupose.' (Theodore Levin, album notes)

'This recording was made in l'Abbaye du thoronet, a 12th-century Cistercian monastary in Provence, where I had previously brought the Choir in 1978. The simple harmonic geometry of the Abbey seemed perfectly proportioned to magnify the Choir's music and let it resonate within its sacred space. Working there was an incredible challenge: our sensations, our breathing, and even our thoughts and emotions became intensely amplified. We recorded most of the nights of August 6 and 7, and i wish to express my deepest thanks to Pierre Toureille and Michel Lepage and his crew for their sensitivity and earnestness in seeking with us the ideal results.' (David Hykes, album notes)

 Hermetic harmonics in choral a cappella. Recommended material for an hypnotic late night zone-out, drone-out. The new age is upon us. 2012, Quetzalcoatl, Oneohtrix Point Never, and so on. 

The Harmonic Choir have been a recent discovery for me. Turns out Hykes had scored Baraka and Meetings With Remarkable Men, both of which I'd enjoyed years ago, but had never looked too deeply into their soundtracks. It looks like Rootblog, among others, have upped some other prime offerings from Hykes & The Harmonic Choir. Now here I am, casting a fresh rip of this LP out into these interweb's Solar Winds. And while it had long been out of print, it has since come to my attention that a remastered version of Solar Winds is now available for purchase from the likes of CDBaby. And so, in the interest of promotion & courtesy (and of keeping this blog), the links below will be available here at GC for only the next two weeks. Enjoy.

David Hykes - The Harmonic Choir : Hearing Solar Winds (1983 - Ocora 558 607) 

*Links removed (see write-up, above)

Side 1

Part I : Rainbow Voice

Part II : Multiplying Voices at the Heart of the Body of Sound

Part III : Arc Descents - The Fall

Part IV : Gravity Waves

Side 2

Part IV : Gravity Waves (continued)

Part V : Lens by Lens

Part VI : Telescoping & The Flight of The Sun

Part VII : Two Poles; Ascent

Part VIII : Ascending and Descending

Super Djata de Bamako -- Vol. 2 (1983 -- Musique Mondial, MAD 004) *Flac

"Zani Diabaté, prominent guitar player in the Super Djata Band, one of the most popular bands from Bamako during the 1980s, joined the Ballet National in 1963, where he sang, danced and played guitar, kora, balafon and percussion. In his spare time, he would play in Harmonica Jazz, where he played harmonica, and later he formed the Ganoua Band with Daouda Sangaré on kamalen n'goni and on vocals, and with Maré Sanogo on djembé. In the early 1970s, the Ganoua Band was appointed the third National Orchestra of Mali (Formation C). When they were left without work, Zani and his fellow band members decided to switch to a private band which they named (Super) Djata Band. It was in 1974 that they started recording for Radio Mali.

The sound of Super Djata, based on the, compared to the mellow malinke sound of for instance the Rail Band, hard hitting Bambara rhythms and melodies, is highly coloured by the outstanding guitar playing by Zani Diabaté." (Musiques-Afrique)

Super Djata de Bamako -- Vol. 2 (1983 -- Musique Mondial, MAD 004) *Flac

Friends, you can still grab the (better sounding?) mp3 version of Super Djata's Vol. 2 at the invaluable World Service music blog. And, be sure to show some love over at WS, too...Not only for showing extraordinary taste and generosity in having shared our interweb's first best rip of Vol. 2 (and more!), but also for WRLDSERV's  own heartfelt personal insights and recollections about the life & career of Zani Diabaté & co.

Huge thanks to  DJ Cuica for lending out this platter that matters.  Djata truly brought this afternoon to life back here at the homestead. Heavenly sounds. 

Baden Powell- Baden : O Som de Baden Powell *1968 (Elenco, ME-48)

Baden. This handsomely designed Brazilian pressing, originally released by Elenco in 1968, serves up a distinctive handful of subtly produced bossa and samba outtakes that were recorded at Powell’s 1966 Tristeza on Guitar sessions. Lovely stuff. When compared, the overall vibe on Baden is clearly the more reflective of the two.

Baden Powell- Baden : O Som de Baden Powell(Elenco, ME-48)

Recorded 1966, released 1968

flac + mp3

1 Canto de Ossanha * (Baden Powell - Vinicius de Moraes) 6´53
2 Tristeza (Haroldo Lobo - Niltinho) 3´10
3 Manhã de carnaval (Antônio Maria - Luiz Bonfá) 3´00
4 Round about midnight * (Hanighen - T.Monk - C.Williams) 5´18
5 Invenção em 7 ½ * (Baden Powell) 5´00
6 Canto de Xangô (Baden Powell - Vinicius de Moraes) 4´32
7 Percussão e batuque ** (Baden Powell) 3´07
8 Lamento ** (Vinicius de Moraes - Pixinguinha) 3´27
9 Saravá (Baden Powell - Vinicius de Moraes) 3´25
10 Das rosas* (Dorival Caymmi) 5´26

(V/A) Let's Get Loose : Folk And Popular Blues Styles From The Beginnings To The Early 1940s (New World, 1978)

"[In the early 20th] century, professional traveling entertainers in the South, many of them women, began to incorporate blues into their stage acts. In 1912 the first blues sheet music appeared, and very shortly the blues moved into the mainstream of white popular music as well as southern white folk music. In 1920 the first blues record by a black vocalist appeared, initiating a flood of thousands of commercial recordings that continues today. These popularizing trends took place in a historical context of increasing migration of rural southern blacks to the northern urban centers. Blues have continued to flourish in the ghettos, mainly among people with strong and recent ties to the South. Hastened by the hit and star system of the record industry, a series of new performance styles grew up, containing elements that reminded the listener of the South but also reflecting the increasing sophistication and complexity of city life. Styles emanating from the cities had an influence on southern rural blues singers through records and through the recording artists' personal appearances, while at the same time the urban blues scene was nourished by a steady stream of new performers arriving from "down home." The blues on this album, all from commercial recordings, illustrate the major styles in which blues were performed from the turn of the century to the outbreak of World War Il. Side One contains styles already in existence at the advent of recording, including examples of early white folkand popular-blues styles. Side Two presents styles that developed or came into prominence largely after or as a result of commercial recording." (album notes excerpt)




Just scored a heap of these 70's New World Records LP comps from Mississippi Records, on the cheap. This one's sporting some prime cuts, and there's plenty more like this that are on the way. 

(V/A) Let's Get Loose : Folk And Popular Blues Styles From The Beginnings To The Early 1940s (New World, 1978) *320 mp3

+ Liner notes *PDF

A1      Yank Rachell, Sonny Boy Williamson, Washboard Sam & Alfred Elkins - PeacH Tree Blues
A2 Pillie Bolling – Brownskin Woman
A3 The Johnson Boys – Violin Blues
A4 Monarch Jazz Quartet Of Norfolk – What's The Matter Now
A5 Buck Mountain Band – Yodeling Blues
A6 Hattie Hudson – Doggone My Good Luck Soul
A7 Clara Smith – Let's Get Loose
A8 George O'Connor – Nigger Blues
B1 Tyus And Tyus – Dad's Ole Mule
B2 Rufus & Ben Quillian – Keep It Clean
B3 Scrapper Blackwell - & Leroy Carr  Blue Night Blues
B4 Walter Roland – House Lady Blues
B5 Harlem Hamfats – I'm Cuttin' Out
B6 Tommy McClennan – Deep Blue Sea Blues
B7       Big Bill Broonzy, Sonny Boy Williamson, Alfred Elkins & Blind John Davis - Love Me, Baby
B8 The Five Breezes  – My Buddy Blues

Escola De Samba Da Cidade ‎– Batucada Nº 3 : The Exciting Rhythm Of The Wild Brazilian Carnival (Philips, 1971)

"This album was conceived and produced by Armando Pittigliani, one of the biggest music producers in Brazil. He produced the first albums of bossa nova by [artists like] Carlos Lyra, Nara Leão, Os Cariocas and Tamba Trio, was also producer of Baden Powell, Jair Rodrigues, CY Quartet, Jackson do Pandeiro, Agnaldo Timothy, Elis Regina, among many others. [He] played an important role in song festivals, as a juror, collaborator and producer. It was he who had the bright idea to record the likely winning songs before the end of the festival. So, when the winner was announced, the recording was ready. The next day, stores had the disc with the winning songs on the shelves....

This album, recorded in 1971, aims to present some typical Brazilian rhythms, especially those related to samba. The album is entirely instrumental, and the rhythms are shown in a very didactic [way]" (Acervo Origens)

A boss 70s brazilian LP of crisply recorded (studio) batucada. Breaks all day for you beat-diggers out there. Many thanks to my compadre, Bill, who was kind enough to rip this outstanding record for GC. Enjoy!

Escola De Samba Da Cidade ‎– Batucada Nº 3 : The Exciting Rhythm Of The Wild Brazilian Carnival (Philips, 1971)***320kbps mp3

1.   Batucada De Apresentação 5:07
2.   Partido Alto 4:15
3.   Samba Em Vários Andamentos 6:53

1.   Apito Na Batucada 3:12
2.   Samba De Roda 5:03
3.   Improvisos Na Batucada 5:05
4.   Ritmo De Macumba 3:55

Massive Re-Ups #3 (Lots of requests)

Spent most of today getting busy with this massive batch of re-ups. Lots of requests honored down below. Some of these date way, way back to the very first months of GC -- Well before I had a scanner, or was even ripping things in 320, much less lossless. Old-School jams and whatnot.

Paz!


Wendell Stuart & The Downbeaters (197x, Elite ER-1006)

Bessie Jones - So Glad I'm Here : Songs and Games from the Georgia Sea Islands (Rounder Records 2015, *1975)

V.A - God Give Me Light 1927-1931: Sanctified Vol. 2 (Herwin 203 *1972)

Rail Band- Buffet Hotel de la Gare Bamako (RCAM, 1973 / Superfly, 2011)

Peter Finger – Bottleneck Guitar Solos (Kicking Mule, KM 116 *1973)

V/A- Willkommen im Weltraum – Nostalgia For An Age Yet To Come (Weltraum Disk, 2010)

Celeste Rodrigues - Lisbon's Great Celeste Rodrigues (Capitol, 1958)

Eddie & Ernie- Lost Friends

Japanese Mystery Record- Hibari No Hanaemaki (Columbia AL-104, 1957-8) ひばりは

Chief Brigadier Olu Oni & His Marathon System - Juju-Marathon System Vol. 1 (Nigeria, 197x + Klimt, 2011)

Fred Lowery- Whistles Your Gospel Favorites

Climaco Sarmiento y Su Orchestra- Grandes Exitos (Discos Fuentes)

Action Patrol : 1993-96 On Patrol (Whirled Records, WR-11)

The Falcons - You're So Fine : The Falcons' Story Part One (Flick 8005)

The Toraia Orchestra of Algiers- Music of the Arab People Vol. 1 & 2 (Esoteric, 1952)

Mahmoud Ahmed – Jeguol Naw Betwa (1978: Mississippi Records, MR-093 *2011)

Pepe de Almeria -- Guitara Flamenca : 45 Tours (196x - Symphonium, SEP 6)

Lemchaheb- S/T (Polydor, 1978) لمشاهب

Andres Landero- 16 Canciones

Robert Haigh & Sema- Three Seasons Only (via Holywarbles RIP)

Kroncong, Early Indonesian Pop Music of the 78 rpm Era (via Holywarbles RIP)

(Korean Mystery Record) "Korean Popular Ballads Anthology" Vol 2.

Shajariyan-PayvarEnsemble : Dashti(Taraneh Enterprises CS, 1989)

Peggy Seeger & Ewan Maccoll- The Long Harvest Vols. 1-10 (Argo, 1966-1968)

Peggy Seeger- American Child Ballads

Leland- This is My World

Abner Jay- Folk Song Stylist (Mississippi Records, MR-068)

Judy & Barbara: The Blind Slye Twins- It's Me Again Lord

LUZMILA CARPIO Cantos Quechua y Aymaras (Bolivia, 1999)

Barış Manço- Dağlar Dağlar (1970)

Les 4 Guaranis - Musique Folklorique d'Amerique Latine (BAM, 1953 *Paraguay)

Les 4 Guaranis- 2ème Récital (BAM LD304, 1953)

Lennie Hibbert- Creation (Studio One, 1969)

Jackie Mittoo & The Soul Vendors- Evening Time 

V/A- Wolf's At The Door: Lost Recordings From The Spirits Of The South

V/A- Vanity Records: Finest Selection 1978 to 1981

Ghostcapital Mix: "What Goes Up..."

Ghostcapital Mix: "Get on The Way!!"

V/A : The Heart of Mexico -- Exciting Musica Tipica, Recorded in Mexico (Gene Norman Presents, 1961)

"The Music in this album represents The Heart of Mexico in all its facets...With all its color and sensitivity! The Bright Mariachi, with its highly emotional and fun-loving sound...The romantic and sentimental music of the Trio, whose soft strumming guitars speak of love and serenades in the night: as well as the gaiety and spontaneity of the piquant rhythm of the Jarocho groups...All this music, in its most sincere form, unadulterated, honest and clear as the azure skies under which it was born, gives us the most accurate insight into...The Heart of Mexico." (Back cover)

This 1961 Gene Norman comp offers up a fine selection of live-recorded performances from a healthy handful of excellent Mexican combos. Vinyl rip by yours truly. Enjoy! 



V/A : The Heart of Mexico -- Exciting Musica Tipica, Recorded in Mexico (Gene Norman Presents, 1961) 320 mp3 + Flac

Side A

1. La Rondalla de Tijuana - Guadalajara
2. San Martin Trio - Las Alteñitas
3. La Gloria Quintet - La Malagueña
4. Maricela y Mariachi Corral - Ay! Jalisco, No Te Rajes
5. Ensueño Trio - Cuando Vuelva a Tu Lado
6. Mariachi Corral - La Cecilia

Side B

1. Quarteto Boca del Rio - El Cascabel
2. La Rondalla de Tijuana - Rayando el Sol
3. Maricela y Mariachi Corral- Me He de Comer Esa Tuna
4. Los Pajaritos Trio - La Adelita
5. Mariachi Corral - Cocula
6. La Rondalla de Tijuana - Cancion Mixteca

Ustad Vilayat Khan -- The Supreme Genius of Ustad Vilayat Khan (1968 - HMV/EMI India, EASD-1332)

"Born at Gouripur (now in East Pakistan [Bangladesh] )in 1924 in a family with a great musical tradition, Vilayat Khan is sixth in an unbroken line of maestros going back to the Mughal period. His father, the late Ustad Inayat Khan, still remembered as one of the greatest sitarists of all time, initiated young Vilayat in the art of Sitar playting, though this guidance was lost to Vilayat at the early age of thirteen due to the death of his father. Dedication and discipline, however, carried him through and to such heights that at a relatively young age his virtuosity was recognized not only in India but abroad also. He has played to appreciative audiences in UK, Europe, USSR, East Africa and Afghanistan. Just as Sartre's rejection of the Nobel Prize created a storm in European intellectual circles, Vilayat Khan's polite but firm refusal of a Sangeet Natak Akademi award created a sensation among musical circles in India three years ago."

(From the cover notes)

"A creative genius like Vilayat was not content with mere presentation of his parent baaz. He remodelled the Sitar in many ways like removing the second gourd, changing the strings and tuning system. His technical contribution, exquisitely attuned to the various gradations of Raga delineation, elucidative in practical exposition, has become a reference point for the art of perfect Sitar playing...

For his magnificent solos, his immemorial duets, Ustad Vilayat Khan will live on in the hearts of millions for time immemorial, as the Shahenshah of Sitar. "   (Obituary, ITC Sangeet Resarch Academy)

"Fans and media alike liked to play up Vilayat Khan's rivalry with and animosity towards Ravi Shankar. However, in calmer moments Vilayat would admit there was not much to it. His animosity for the politics and institutions of India's cultural life was another matter. In 1964 and 1968, respectively, he was awarded the Padma Shri andPadma Bhushan awards – India's fourth and third highest civilian honours for service to the nation – but refused to accept them, declaring the committee musically incompetent to judge him." (Wikipedia, Controversy)

Ustad Vilayat Khan -- The Supreme Genius of Ustad Vilayat Khan (1968 - HMV/EMI India, EASD-1332)

320mp3 + Flac

Sitar-Raga : Darbari Kanada

Side A: Alap & Jhala

Side B: Gat In Teentaal

Tabla: Shankar Ghosh

Animal Collective : Centipede Radio Transmission 3

Ghost Capital is stoked to go on-air as one of today's guests on Animal Collective's Centipede Radio Transmission 3, hosted by Avey Tare. Atlas Sound and The Blackouts are this week's other guests. The show starts in about 30 minutes. Listen Up!

Via FACT: The third episode of Animal Collective’s Centipede Radio will be broadcast live via radio.myanimalhome.net this Sunday night / Today at 9pm EST (6pm Pacific).

This week’s show is hosted by the band’s Avey Tare, following episodes helmed by Panda Bear and Deakin (both archived and available to stream on the site). It will feature guest DJ mixes from Atlas Sound, The Blackouts and Ghost Capital.

Animal Collective Radio is a collaboration between the band, their label Domino and The Creators Project, designed to promote their new album, Centipede Hz, which us due out on September 3. You can stream the last show, which featured Haunted Graffiti and more, here. 

Atsumasa Nakabayashi Trio - Melody of Japan (Denon, ALS-4049) 中林淳真ギター三重奏団 - 日本のメロディ

"Atsumasa Nakabayashi was born in Tokyo in 1927. He began his musical studies in Japan, with the teacher Yasumasa Obara, and perfected the technique and interpretation of the guitar in Spain under the leadership of Narciso Yepes and Jose Luis Gonzalez. In 1958 he won the 1st. Prize of the International Guitar Competition in Tokyo, and was awarded by the Ambassador of Spain. In 1964 he appeared at Carnegie Hall in New York, as the first Japanese guitarist to hold this site. Invited by the Department of Cultural Affairs of Cuba, gave recitals in Havana and Santiago de Cuba. In 1984 he won the 1st. Composition Competition Prize Morishige Takei held annually in Tokyo for his suite "Dance No. 1". (Source)

A lovely survey of classic Japanese melodies arranged & performed by Nakabayashi's excellent guitar trio. Release date currently unknown. I was also unable to find the tracklist (in Japanese or English) transcribed anywhere, online. Japanese speakers, your assistance with this would be greatly appreciated. Is my observation correct that a Nakabayashi CD of the same name; 日本のメロディ, seems to have an entirely different tracklist? Enjoy!

Atsumasa Nakabayashi Trio - Melody of Japan (Denon, ALS-4049)

320 mp3 + Flac

"Nippon No Merodei"